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He resets the bone with a thump from his palm and later puts on a plaster bandage made of duct tape. Family[ edit ] Reacher's maternal grandfather, Laurent Moutier, was a furniture restorer in Paris , who, at age 30, volunteered for the French Army in at the outbreak of World War I , fighting at Verdun and The Somme. Josephine Moutier was his only child. He died in at age Jack, as a boy, met him three times and is described as having liked him. But my mother had. She had lived through desperate times and she had stepped up and done what was necessary.

His military service kept his family continually moving all around the world to various military bases. At the time of the short story Second Son, when Jack was 13, he was stationed in Okinawa and involved in preparing contingency plans for an invasion of Mainland China. In the same short story, Stan Reacher is depicted as "a child of the depression ," coming from a miserly New England family, and as a result was a proponent of the theories of "Waste not, want not," "Make do and mend," and "Don't make an exhibition of oneself.

Very compartmentalized guy. Gentle, shy, sweet, loving man, but a stone-cold killer. Next to him I look like Liberace ". Claire E.

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White, characterises the titular protagonist as: "wanderer, a hero who is a bit alienated from the establishment, but whose sense of justice is strong. He reminds me a bit of a character from the Old West: the strong, mysterious loner who never stays in town for long.

A stranger comes to town and sets things right. Then he leaves town. Good at saving damsels in distress and sorting out bad guys. Too immature to make a sexual commitment, obsessed with death and terror, this archetypal hero of American fiction was first described in Leslie Fiedler's classic Love and Death in the American Novel In his opinion "The traditional Western was a fantasy about lawfulness: it was based on a longing for order among those who had been living without it for too long.

The heroes conduct themselves according to strict rules of chivalry. They act— insofar as it is possible —with restraint. In the world we live in today, by contrast, we have too much order: we are, as we have been reminded so frequently lately, over-policed.

Our contemporary fantasy is about lawlessness: about what would happen if the institutions of civility melted away and all we were left with was a hard-muscled, rangy guy who could do all the necessary calculations in his head to insure that the bad guy got what he had coming. That's why there are rarely any police in Reacher novels—or judges or courts or lawyers or any discussion or consideration of the law.

Nor is there any restraint on the part of the hero. He's not pointing toward a more civilized tomorrow. He's leading us back into the wilderness, with the reassurance that our psychopaths are bigger and stronger than the bad guys' psychopaths. In Sargent's express opinion: The thing about Reacher is that he is not just a thug, even if a well-meaning thug in the manner of, say, Rambo or Bruce Willis. He is also a thinker, an intellectual, capable of quoting Nietzsche or coming up with the etymology of "vagrant".

And he speaks French He is sympathetic to deserters from the Iraq War and particularly severe on capitalist profiteers. You feel he would probably turn up at an Occupy Wall Street demo.

There is something of the hippie in his rootless roaming around America, seeking out injustice and righting wrongs. He can also be a liberal do-gooder.

He has expressed sympathy for gays in the military and undocumented immigrants. The scumbag is killed, but usually for the right reasons. Ever a frugal sort, Reacher travels mostly by hitchhiking as he does at the beginning of "A Wanted Man" and 's "Echo Burning," both set roughly in the time they were written , even though the practice is roughly as current as bellbottoms and even though his appearance is, as previously established, notably simian.

Not that this deters a series of smart, attractive young women, most of them officers of the law, from jumping into bed with him. And although he's a loner who seems never so happy — rather like Agent Cooper in "Twin Peaks" — as when sitting quietly in a diner with a cup of black coffee and a piece of pie, he has an uncanny knack for stumbling into the worst kinds of trouble, almost none of it connected to himself.

It kind of depends on what the scenario is and what the set up is. Do I use people that I actually know? In a way yeah, because you met people and you regard them as meta-typical as one thing or another — so as a large extent, yes, they are based on people I've met but not specific individuals. She had been investigating the criminal activities of a New York mobster, Croselli but her investigation had been shut down and she had been suspended, pending review as part of a deal cut by Croselli with the FBI.

She had since tried to unsuccessfully bring Croselli down by getting him to boast of his crimes on tape. She admitted that bringing down Croselli had become somewhat of an obsession for her, stating "[Croselli] burns her up. She suffered from heart-related ailments and she died near the end of the story due to a heart attack after having accomplished her goal. Reacher commented, "She died young, but she had a smile on her face.

She appears in The Affair, where she tacitly condones Reacher's highly illegal ways of getting rid of some unsavory characters. She was a potential lover for Reacher, as they had sex several times, but ended up drifting apart. Karla Dixon, age unknown, possibly late 30s is a forensic accountant ; formerly a Major in the Army and part of Reacher's 'Special Investigators Unit', which he formed and led in the 90s. One, he's a skilled investigator.

Two, he could beat up everyone else in the army. This time it's Personal. Because Reacher put him away years ago. For killing a fellow soldier in a bar fight. This guy is Kott.

Reacher should know. The French president will be vulnerable again soon. At the G8 meeting. In east London.

So the army calls Reacher. And Reacher teams up with the CIA. In the personable shape of a young woman.

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They go to Paris and meet a Russian intelligence guy. They go to London and meet a Welsh guy called Bennett. MI6 or SAS. Probably both. There's a Serbian gang in Acton. A cockney gang in Barking. Not your usual tourist-thriller itinerary. As usual the novel has a refrain. This time it's that in a fight, no one knows what's going to happen. You know who that is. It is also Child.

He is so good. He makes "literary" writing seem orotund. His sawn-off sentences pile up. He generates relentless momentum. Educational interludes. Sardonic riffs on consumerism. Always rhythmically placed in the ebb and flow of information.

It approaches the Hitchcockian.

Or carefully creeping up to a house over many pages. Turns out to be empty. No matter. It makes the confrontation more dramatic. When it comes. Between the bad guys. And Jack Reacher.

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In London, Reacher sees a very big man. A "giant".

You know he will have to fight him. Reacher is 6ft 5in. A lot bigger than Tom Cruise in the movie. Basically invincible. Even his pectorals, fans recall, are bulletproof.

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But he's smaller than the giant. He shouldn't be surprised. But that giant made a mistake. He tried to kung-fu kick Reacher.

This new giant doesn't.

Spoiler alert: Reacher finds another way to kill him.I will be still be in the queue to download his next book when it comes out in hardback. On the exceptionally talented sniper at the heart of his new book I wanted to start the book with action Jack Reacher: Our contemporary fantasy is about lawlessness: about what would happen if the institutions of civility melted away and all we were left with was a hard-muscled, rangy guy who could do all the necessary calculations in his head to insure that the bad guy got what he had coming.

siteGlobal Ship Orders Internationally. Not that this deters a series of smart, attractive young women, most of them officers of the law, from jumping into bed with him. This is the 19th Jack Reacher novel.